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In
the first chapter, I have given a background to my own interest in this
subject. I have studied the mechanics of my own body’s musculature and
the methods required playing a note within four positions of the
harmonic series.
From
the Chapters, II to V, I have presented the case studies of different
brass instrumentalists. I asked about their backgrounds, in what manner
they began to learn to play and which tutor books they had used. I asked
about their attitudes to playing their instruments in each range and
whether any obstacle or obstacles to their playing had shown themselves.
In
Chapter VI, I have tried to find out, what different experts say about
it. I have presented some evidences to prove that different teachers and
performers used a certain method and advocated that every player should
play the same way.
In
Chapter VII, I have summarized my discussion and give the conclusion. |
